Fee Download Daphne du Maurier: Writing, Identity and the Gothic Imagination, by A. Horner, S. Zlosnik
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Daphne du Maurier: Writing, Identity and the Gothic Imagination, by A. Horner, S. Zlosnik
Fee Download Daphne du Maurier: Writing, Identity and the Gothic Imagination, by A. Horner, S. Zlosnik
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Daphne du Maurier: Writing, Identity and the Gothic Imagination is the first full-length evaluation of du Maurier's fiction and the first critical study of du Maurier as a Gothic writer. Horner and Zlosnik argue that the fears at the heart of du Maurier's Gothic fictions reflect both personal and broader cultural anxieties concerning sexual and social identity. Using the most recent work in Gothic and gender studies they enter the current debate on the nature of Female Gothic and raise questions about du Maurier's relationship to such a tradition.
- Sales Rank: #10868545 in Books
- Published on: 1998-05-15
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .69" w x 5.50" l, 1.06 pounds
- Binding: Hardcover
- 235 pages
Review
'In this skilful exploration of du Maurier's identity and writing, Avril Horner and Sue Zlosnik weave together analysis of the Gothic mode with historical, geographical and cultural contextualising. Theirs is a consistently illuminating study which moves the reader to a more complex appreciation of the author's work. Never again can du Maurier be dismissed as mere bedtime reading for middle England.' - Mary Eagleton, Principal Lecturer in Literature and Women's Studies, University College of Ripon and York St John
'A series of intricate and subtle readings...a major and timely reworking of du Maurier's fiction, which also raises fascinating questions about the persistence of the Gothic imagination.' - David Punter, Professor of English Studies, University of Stirling
'Well written and compellingly argued, Avril Horner and Sue Zlosnik use various perspectives offered by feminist and other recent critical methods to highlight just what it is that makes du Maurier so interesting. Importantly, they demonstrate that Gothic overtones are not merely formulas, but vital resources that du Maurier used with considerable creativity to work out her own anxieties as a woman and a writer.' - Anne Williams, Professor of English, University of Georgia
'A well-written and accessible study...offering an informed and consistently interesting reading of this under-valued writer's work.' - Gothic Studies
About the Author
AVRIL HORNER
SUE ZLOSNIK
Most helpful customer reviews
7 of 10 people found the following review helpful.
Review--not!
By Carl Talerico
Why is this book so prohibitively expensive? Who can afford these prices other than libraries and scholars affiliated with universities? Might there not be more of a demand for such critical studies if they were priced within the reach ordinary individuals? I would have liked to have read and owned this book but with an elitist price tag, I am effectively shut out. I cannot, therefore, render a review until (or when) my local library obtains a copy of it through ILL.
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